88Nine Radio Milwaukee

Today's stream is sponsored by Maxie's

S. Carey (feat. member of Bon Iver) w/ White Hinterland & Old Earth

Thu, 04/24/2014 - 9:00pm to Fri, 04/25/2014 - 1:00am
Club Garibaldi's
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Tap the Masses & 91.7 WMSE Presents: 

S. Carey w/ White Hinterland & Old Earth

Tickets Here: http://www.ticketfly.com/event/454403

Thursday, April 24, 2014
Club Garibaldi's
$10 adv./ $12 day of show

About S. Carey:

S. Carey’s chosen musical expression is a hugely beatific, restorative panorama of beauty - perfect given how landscape and the wonder of nature inspire much of Carey’s imagery. His new album Range of Light - the follow-up to his 2010 debut All We Grow - takes its title from the name that 19th century naturalist John Muir - Carey’s hero - gave to California’s Sierra Nevada, and follows suit with a dazzling array of musical light and shade, drawn from Carey’s love of jazz, modern classical and Americana. Like a weathered mountain range changing shadow form and color, or the ebb and flow of a river’s current, his music is simultaneously restful and rhythmic, complex and simple, and always evolving.

“My music has specific connections to nature and place, my surroundings, and my experiences,” says Carey. "I travelled the Sierra Nevada area many times as a boy, fishing small mountain streams, hiking to the top of ‘half dome’, exploring the Redwood groves at Wawona, in awe of the Yosemite Valley. The term, ‘Range of Light’, to me, denotes the spectrum of light and dark a person can have in their life - peaks and valleys of happiness, sorrow, challenges and growth – for me most recently and more specifically: marriage, having a baby, and maintaining a spiritual connection to nature, place, friends and family as an adult.”

While on tour with Bon Iver, Carey developed his own song writing ambitions, and after many less than frequent recording sessions between tours, released All We Grow in 2010. Those nine songs sat between a folk/modern classical hybrid and rarefied jazz climes. Carey’s warm melodic nuances, reflected in the lush folds of his singing, added to the mutable percussive syncopations of his instrumentation.

About White Hinterland: 

On Kairos, we find White Hinterland exploring the edges of minimal pop, accomplishing a delicate but lively seduction through deep, patient bass throbs, prismatic synth textures, and direct, intimate songs sung with an empowered gravitas. Here Casey Dienel tailors the acrobatics of her former songwriting into a slender focus, folding it into deeper grooves. Beneath the baroque arrangements and intellectual lean of Dienel's previous musical efforts was a sexiness that Kairos exposes, showing the artist for what she is: powerful and comfortable in her own skin, with a glittery voice weaned on pop R&B. With a sound so modern, so contemporary, Kairos fixes White Hinterland's gaze firmly on the future.

S. Carey